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Under the Ice Album Cover

Under the Ice

our exploration of emotions real and imagined

Razorblade Fairytales Album Cover

Razorblade Fairytales

Razorblade Fairytales is a highly charged album delving further into Rainbow Blight's twisted world of dolls, decay and death. Every song tells a story, either bestowing old tales with a shocking, morbid twist or weaving brand new tales for a decidedly grown-up storybook.

Thirty Minutes of Hate Album Cover

Thirty Minutes of Hate

live recordings from early New York City appearances

Broken Toys Album Cover

Broken Toys

"Children's toy instruments wired in blood and amplified a thousand-fold" -- Sleazegrinder

  • Free Downloads  ( 1 items )
  • Under the Ice  ( 8 items )

    Under the Ice

    eight songs of beauty and
    death, love and decay

    1. Under the Ice
      OGG || MP3 (656 kb)
    2. Beautiful Monster
      OGG || MP3 (713 kb)
    3. Out of Reach
      OGG || MP3 (623 kb)
    4. eLECTRIC dOLLS
      OGG || MP3 (633 kb)
    5. Fractured
      OGG || MP3 (862 kb)
    6. Break
      OGG || MP3 (739 kb)
    7. In the Dark
      OGG || MP3 (712 kb)
    8. Pins + Needles
      OGG || MP3 (851 kb)
    9. Snow Queen
      OGG || MP3 (851 kb)
    Creative Commons License

    Bridging the gap between Gwen Stefani, Rob Zombie and Nine Inch Nails, Razorblade Fairytales is the raw bounce and burn style of female fronted rock our musical landscape has been missing, until now.

    The joint effort of a multi-instrumentalist mad scientist and living doll, this album blends the synthetic programming and precision of industrial with the rough organic edges that can only be woven of rage, despair and twisted love.

    Written, recorded and performed in New York City, the songs of Razorblade Fairytales resonated first with those witnessing them performed live at such debaucherous events as the Black and Blue Ball at Limelight, in the infamous Geiger Room. Taking a life of it's own the album carved it's way through the minds of one deviant to another, being adopted by fans of death rock, gothic and horror punk, before infiltrating the minds of unwary fringe loving rock fans everywhere.

    Combining overdriven keyboards, distorted guitars and lyrics of nightmares past and present, Razorblade Fairytales is an intensely personal collection of fairytales real and imagined, survived by the siren and scientist that are Hate In The Box.

    Razorblade Fairytales is a highly charged album delving further into Rainbow Blight's twisted world of dolls, decay and death. Every song tells a story, either bestowing old tales with a shocking, morbid twist or weaving brand new tales for a decidedly grown-up storybook.

    This album is the result of multi-instrumental mad scientist Optimus Crime's continued experimentation. Tracks like Malevolent Symphony, Bloody Ballerina and Porcelain exhibit the unbridled evolution of what radio show Industrial Zoning (on 90FM WWSP) called "...the sound of toys breaking. Dark, brooding, beautiful." Also described as "children's toy instruments wired in blood and amplified a thousand-fold, every berserk childhood fantasy of playground warfare run amuck" by interviewer and Rock-n-Roll author Sleazegrinder of The New York Waste.

  • Razorblade Fairytales  ( 2 items )

    Razorblade Fairytales

    eight songs of beauty and
    death, love and decay

    1. Porcelain
      OGG || MP3 (656 kb)
    2. Malevolent Symphony
      OGG || MP3 (713 kb)
    3. Papercut Kisses
      OGG || MP3 (623 kb)
    4. Bloody Ballerina
      OGG || MP3 (633 kb)
    5. Cannibal's Love Song
      OGG || MP3 (862 kb)
    6. Little Match Girl
      OGG || MP3 (739 kb)
    7. Broken Stitches Reopened
      OGG || MP3 (712 kb)
    8. Candy Coated Razorblades
      OGG || MP3 (851 kb)

    Bridging the gap between Gwen Stefani, Rob Zombie and Nine Inch Nails, Razorblade Fairytales is the raw bounce and burn style of female fronted rock our musical landscape has been missing, until now.

    The joint effort of a multi-instrumentalist mad scientist and living doll, this album blends the synthetic programming and precision of industrial with the rough organic edges that can only be woven of rage, despair and twisted love.

    Written, recorded and performed in New York City, the songs of Razorblade Fairytales resonated first with those witnessing them performed live at such debaucherous events as the Black and Blue Ball at Limelight, in the infamous Geiger Room. Taking a life of it's own the album carved it's way through the minds of one deviant to another, being adopted by fans of death rock, gothic and horror punk, before infiltrating the minds of unwary fringe loving rock fans everywhere.

    Combining overdriven keyboards, distorted guitars and lyrics of nightmares past and present, Razorblade Fairytales is an intensely personal collection of fairytales real and imagined, survived by the siren and scientist that are Hate In The Box.

    Razorblade Fairytales is a highly charged album delving further into Rainbow Blight's twisted world of dolls, decay and death. Every song tells a story, either bestowing old tales with a shocking, morbid twist or weaving brand new tales for a decidedly grown-up storybook.

    This album is the result of multi-instrumental mad scientist Optimus Crime's continued experimentation. Tracks like Malevolent Symphony, Bloody Ballerina and Porcelain exhibit the unbridled evolution of what radio show Industrial Zoning (on 90FM WWSP) called "...the sound of toys breaking. Dark, brooding, beautiful." Also described as "children's toy instruments wired in blood and amplified a thousand-fold, every berserk childhood fantasy of playground warfare run amuck" by interviewer and Rock-n-Roll author Sleazegrinder of The New York Waste.

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